Filmmaker Interview: DOUG ARCHIBALD and KRISTIN ARCHIBALD of I LOVE YOU BOTH
The new indie dramedy I LOVE YOU BOTH centers on codependent twins Krystal (co-writer KRISTIN ARCHIBALD) and Donny (director/co-writer DOUG ARCHIBALD). While each sibling
Filmmaker Interview: EDWARD BURNS, writer/director/star of THE GROOMSMEN (indieBlog Archive)
Actor-filmmaker Edward Burns talks about his breakthrough hit “The Brothers McMullen,” his directorial effort “The Groomsmen,” and the indie film scene.
This Week’s Good Reads (Week of May 15)
SAGindie (well, Darrien and Eliza) are back at Cannes for another year of American Pavilion festivities (and maybe a few film screenings if lucky).
Filmmaker Interview: PAT HEALY, director/star of TAKE ME
As an actor, PAT HEALY has been a familiar face in independent film ever since gaining attention for two small but memorable roles in
Filmmaker Interview: HEIDI SAMAN, writer/director/producer of NAMOUR
Considering her background in journalism and public radio, it makes sense that filmmaker HEIDI SAMAN would tap into real-world issues even when making a
Filmmaker Interview: KRIS AVEDISIAN and JESSE WAKEMAN of DONALD CRIED
For his feature film DONALD CRIED, filmmaker KRIS AVEDISIAN opted for a homecoming of sorts. The movie – which itself revolves around a homecoming
This Week’s Good Reads (Week of January 9)
What a week – politically speaking – thanks in part to a huge speech that set the world on fire from D.C. to the
Filmmaker Interview: LISA ROBINSON and ANNIE J. HOWELL of CLAIRE IN MOTION
As a writing/directing team and as individual filmmakers, LISA ROBINSON and ANNIE J. HOWELL are no strangers to accolades. After their web series Sparks
Filmmaker Interview: KATIE HOLMES, director/star of ALL WE HAD
KATIE HOLMES was introduced to many as the quintessential “girl next door” Joey Potter on TV’s Dawson’s Creek in 1998. While her day job
Filmmaker Interview: ANNA BILLER, writer/director/producer of THE LOVE WITCH
It’s probably safe to say that ANNA BILLER puts more hours into her work than a lot of directors do, and with her newest
Filmmaker Interview: ANTHONY EDWARDS, director of MY DEAD BOYFRIEND
Many actors would kill to land just one iconic role that gives them that people-calling-you-your-character-name-on-the-street level of recognizability. ANTHONY EDWARDS, however, has at least
This Week’s Good Reads (Week of October 10)
The autumn weather may be getting cooler, but know what isn’t cooling down? Our burning desire to give you the week’s most interesting film-related