This Week’s Good Reads (Week of April 18)
This week kicked off with our Tribeca Cast Party in New York, saw the passing on an iconic musical genius, wrapped up with a […]
This Week’s Good Reads (Week of April 11)
This week, everyone was writing about texting (is that redundant?). More specifically, texting in movie theaters. After AMC proposed that they’d soon allow texting
This Week’s Good Reads (Week of March 28)
We should probably include some sort of prank or joke in this introductory paragraph, right? It being April Fools’ Day and all. But we’re
Filmmaker Interview: JOHN SUITS and GABRIEL COWAN of PANDEMIC
While studying for their master’s degrees in 2006, CalArts classmates JOHN SUITS and GABRIEL COWAN wanted to take the plunge and make their first
This Week’s Good Reads (Week of March 14)
Well, we survived. All of it: The Ides of March. Daylight Saving Time. Super Tuesday #2. Saint Patrick’s Day. SXSW (check back for a
This Week’s Good Reads (Week of March 7)
Darrien and Colin will head to SXSW this weekend for exhibitor boothing, Happy Houring, and maybe hanging with the Obamas. But while a whole
This Week’s Good Reads (Week of February 29)
It’s a new month (with a new slate of movies) and the week kicked off on a Leap Day! That means we had an
This Week’s Good Reads (Week of February 22)
Even though a study came out this week that young’ns apparently don’t read anymore, it has been such a busy week on the film
This Week’s Good Reads (Week of February 15)
Perhaps you like to read our weekly collection of news, essays, and articles about the media on your iPhone. Rest assured that should the
This Week’s Good Reads (Week of February 8)
Valentine’s Day is coming up this weekend, and what is a more romantic way to spend the day with your sweetheart than opening a
This Week’s Good Reads (Week of November 30)
We’ve awoken from our Thanksgiving food comas and returned to work to bring you the best writing about the film industry from the past
Filmmaker Interview: DIANE BELL, writer/director of BLEEDING HEART
In 2010, Scotland-born yoga-instructor-turned-filmmaker DIANE BELL achieved what many first-time writer/directors dream about – her debut film (made for less than $150,000) was accepted