This Month’s Good Reads (May 2025)
Life is busy. Summer movie season is here! Yet, all our existential problems remain! It can be tough to stay up-to-date on film industry
This Month’s Good Reads (April 2023)
Life is busy – flowers are in bloom, Netflix DVDs are dead, and your Twitter checkmark is probably gone. It can be tough to
This Month’s Good Reads (March 2023)
Life is busy – you’re prepping your Oscar speech, springing your clock forward, and kissing someone ’cause they’re Irish (and ’cause they consented). It
This Month’s Good Reads (December 2022)
Life is busy – you’re winding down from an entire 12 months’ worth of 2022. It can be tough to stay up-to-date on all
This Week’s Good Reads (Week of September 23)
This eventful week kicked off with the first official day of fall! (And also a Presidential impeachment inquiry…) But back to the autumnness of
This Week’s Good Reads (Week of August 26)
Happy Labor Day Weekend! While you are out thanking labor union leaders for giving you a long weekend (and a de-facto end to the
FILM INDEPENDENT DIRECTORS CLOSE-UP 2019
[UPDATED 3/22/19] DCU returned big time for 2019 (and SAGindie returned as a sponsor). Film Independent’s annual DIRECTORS CLOSE-UP kicked off in Los Angeles
This Week’s Good Reads (Week of January 14)
We’re gearing up for a long holiday weekend, which means you’ll have an extra day to decide which Fyre Fest documentary you want to
This Week’s Good Reads (Week of November 26)
As we prepare to kick off the month of December, let’s take a look back and reflect on the final week of November –
This Week’s Good Reads (Week of October 9)
Looking to catch up on this week’s collection of tips and insight for filmmakers and actors? We’ve searched high and low for some worthwhile
This Week’s Good Reads (Week of July 10)
In between this weekend’s activities of movie-watching, sun-bathing, Game of Thrones-prepping, or (if you’re in LA) OutFest-panel-attending, set aside some time for reading. If
Filmmaker Interview: DIANE BELL, writer/director of BLEEDING HEART
In 2010, Scotland-born yoga-instructor-turned-filmmaker DIANE BELL achieved what many first-time writer/directors dream about – her debut film (made for less than $150,000) was accepted