This Year’s Good Reads (2015)
We do our best each week to highlight some of the most interesting news stories that had the entertainment industry buzzing, and 2015 sure […]
This Week’s Good Reads (Week of December 7)
You can tell the year is starting to wind down, with critics groups giving their Best-Of lists (see the video below for a visual
A Very Indie Christmas
[UPDATED 12/1/17] As we’ve pointed out on this blog before, there are plenty of offbeat non-Dickens, non-Capra, non-Griswold Christmas movies to enjoy during the
This Week’s Good Reads (Week of November 30)
We’ve awoken from our Thanksgiving food comas and returned to work to bring you the best writing about the film industry from the past
25th IFP GOTHAM AWARDS – Winners
Awards season has officially kicked off with the 25th Annual GOTHAM INDEPENDENT FILM AWARDS, New York’s annual event honoring the best independent films of
SAGindie’s December Movie Picks
You made it, people. We all made it. It’s the final month of 2015, and along with the holiday feasts, retail deals, and all
This Week’s Good Reads (Week of November 16)
Yes, we know you probably plan on spending your Friday night (and quite possible the rest of the entire weekend) listening to Adele’s new
This Week’s Good Reads (Week of November 9)
We’re coming off a busy fall week – wrapping up AFI FEST (see our recap here), a panel at American Film Market, and out-of-town
Filmmaker Interview: writer/director JOSH MOND and actor CHRISTOPHER ABBOTT of JAMES WHITE
For the past few years, filmmaker JOSH MOND and actor CHRISTOPHER ABBOTT have each been a familiar face in the indie film world. Mond’s
2015 AFI FEST Recap
It was another busy week in Hollywood for the 2015 AFI FEST, with A-list star appearances (Will Smith, Brad and Angelina, Johnny Depp), parties,
This Week’s Good Reads (Week of November 2)
You made it to November! You survived Halloween. You survived Día de los Muertos. You survived All Saints’ Day (and how cray does it
Filmmaker Interview: DIANE BELL, writer/director of BLEEDING HEART
In 2010, Scotland-born yoga-instructor-turned-filmmaker DIANE BELL achieved what many first-time writer/directors dream about – her debut film (made for less than $150,000) was accepted