SAGindie’s June Movie Picks
It’s only June and we’ve already had billions of dollars worth of blockbuster movies. So this month is a bit of a palate cleanser, […]
2015 CANNES FILM FESTIVAL Recap
Bonjour! Darrien and Eliza have overcome their jetlag and can once again wear flat heels now that the 2015 Festival de Cannes (the Frenchest
Filmmaker Interview: RILEY STEARNS, writer/director of FAULTS
In the twisted new thriller FAULTS, down-on-his-luck mind control expert Ansel Roth (Leland Orser) receives a job offer he can’t refuse: Rescue and “deprogram”
This Week’s Good Reads (Week of February 2)
This has been a week of reflection on that magical time of year called Sundance. See various breakdowns, analyses, and Twitter statistics from this
SUNDANCE 2015 Recap
Ahh, we are back in the thick, smoggy air of Los Angeles, where we can look back fondly at our time in the mountains
Gearing Up For SUNDANCE 2015
It’s that time of year again, where SAGindie and filmmakers from all over the world pack their most fashionable parkas and head to higher
This Week’s Good Reads (Week of January 12)
A simple recap of this week: Awards, awards, kudos, outrage, awards, kudos, tears, awards. Did we miss anything? Just in case, we’ve gathered some
This Week’s Good Reads (Week of December 1)
Wow, Awards Season came out real strong and indecisive: The Gotham Awards chose Birdman, National Board of Review went with A Most Violent Year,
This Week’s Good Reads (Week of November 10)
A busy week here at SAGindie. Not only were we on-hand at AFI Fest to co-host a filmmaker party and sponsor the first-look screening
Industry Interview: TED HOPE, author of HOPE FOR FILM
As CEO of film-streaming platform Fandor, producer TED HOPE offers film-lovers a catalog of movies to watch (from classics to documentaries to new indie
This Week’s Good Reads (week of August 18)
During the week we often get so preoccupied with our real lives that we sometimes neglect our internet browsing. With the weekend ahead of
Movies You Probably Forgot Were Indies
[UPDATED 5/24/17] The phrase “independent film” usually conjures up certain touchstone images: Early pioneers like Corman or Cassavetes; no-budget phenoms like Clerks and The