SAGIndie

On June 6, 2010 Actor, writer, and film director Steve Buscemi will talk with Emmy Award-winning journalist and Co-Host of WNYC Radio and PRI’s The Takeaway, John Hockenberry, about creating unforgettable characters that ultimately drive a film’s narrative and impact. The afternoon will feature film clips from the actor’s career as well as brunch at an award-winning Brooklyn eatery.

It is our pleasure to extend an advance invitation to SAG and SAGIndie members. The event will be publicly announced this Friday May 14th, so please take advantage of this opportunity to secure seats to this intimate event.

Actor as Auteur Brunch To Benefit ISSUE Project Room
Presented in Collaboration With SAGIndie
Sunday, June 6, 12pm – 2pm
$125 Per Person ($95 tax-deductible, three-course brunch is included.)

SEATING IS LIMITED. BUY TICKETS
For more information please call 718-330-0313.

There are numerous iconic characters in film history, from The Little Tramp to Charles Foster Kane to Colonel Kurtz to Travis Bickle, all of them well drawn and directed. However, had Chaplin, Welles, Brando or DeNiro not played these roles would the film had the same powerful impact on our culture? Can a case be made for actor as auteur?

It is difficult to imagine Buscemi’s roles and their indelible effect on each film without his personal, stylized approach in bringing them to life. They emit essential energies striking a balance between deeply held neuroses and outward bombast. From lead roles in films like Fargo, Resevoir Dogs, Living in Oblivion, Trees Lounge, and Ghost World to supporting roles and cameos in films such as The Big Lebowski, and Barton Fink, his presence breathes life into every corner of a film. “Buscemi is a quiet tyrant of artistic fury who threatens to overrun every frame he’s in with the inner desperation he projects even in his most subtle performances,” says Hockenberry.

SAGIndie is a gentle and loving union between the hard working thespians of the world and the passionate filmmakers who buck the system. Since its formation in 1997, SAGIndie has been traveling to film festivals, trade shows and conventions spreading the word: Just because your film isn’t produced by a studio doesn’t mean you can’t use professional talent. www.SAGIndie.org

ISSUE Project Room, a registered 501(c)(3) organization, was established in 2003 by visionary artist Suzanne Fiol, and is a vibrant nexus for cutting-edge, multi-disciplinary arts in Brooklyn. ISSUE supports emerging and established experimental artists through more than 200 programs each year including music concerts, literary readings, films, videos, dance, visual and sound art, new media, critical theory lectures and discussions, site-specific work, commissions, educational workshops, master classes, and genre-defying interdisciplinary performances that challenge and expand conventional practices in art.  Support for ISSUE has been provided by CHORA, a project of the Metabolic Studio, a direct charitable activity of the Annenberg Foundation led by Artist and Foundation Director Lauren Bon. CHORA aims to support the intangibles that precede creativity. www.ISSUEProjectRoom.org 

What event would open with Candis Cayne and Wilson Cruz dancing to Lady Gaga’s Telephone?

It was the 2010 GLAAD Media Awards and Cayne and Cruz hosted the colorful event. I was in attendance that evening, as SAGIndie is a sponsor of the GLAAD Awards. The event featured a pre-event cocktail party with a silent auction, where everything from a spa weekend, to wine baskets, to a new car was available for bids. This was followed by a live auction. At the live auction trips to London went quickly as did personal redecorating sessions with a top designer. The raised funds went to GLAAD to help the organization continue spreading its message of equality and peace.

During the awards show, GLEE took best comedic series and the cast, including Dianna Agron, Chris Colfer, Jane Lynch, and Kevin McHale were there to accept it. Outstanding film went to A Single Man and Outstanding Reality Program went to RuPaul’s Drag Race. The event had some serious moments, including a speech by Constance McMillen, the young teen whose high school cancelled prom after she asked to bring her girlfriend. She presented one of two special awards that evening.

The two special awards were handed out to honorees, Drew Barrymore and Wanda Sykes, who took home their awards for their success in entertainment, as well as their support and positive inclusive of the GLBT community in films, television and the media in general. The event ended with a spirited performance by American Idol winner Adam Lambert. Decked out in a leather studded jacket and blue streaked faux-hawk he performed a couple rock-heavy songs that got the audience on their feet. All in all, a successful evening.

Tribeca Films is having a NY theatrical run of all of their titles May 5th–18th at Tribeca Cinemas. As a member, you can purchase tickets at a 20% discount by using the code below.

Tickets can be purchased HERE.

Our Tribeca Film Festival Bowling Party was mentioned in this week’s print edition of People magazine. Check it out:

For those of you who aren’t familiar with his work, John August is one of Hollywood’s hardest working screenwriters. With substantial writing credits to his name (GO, Charlie’s Angels, Big Fish) he has also directed, produced, and worked within the industry for numerous years. Bottom line – the guy has been around. Not only is he talented, but he’s also super smart and wants to impart his knowledge on you.

His website, johnaugust.com, is one of the most amazing filmmaking resources on the ‘nets. I visit it daily and always come away with something useful. Topics of discussion aren’t just limited to screenwriting, they span the industry and can range from Releasing Micro-Budget Indies to Tips for using Index Cards. On occassion, John will even give his opinion on random, day-to-day issues like taking anxiety medication.

It doesn’t matter what level of the industry you’re in. Do yourself a favor and subscribe to his site. You’ll learn a lot.

Hi friends!

Independent Film Week is the oldest and largest forum in the U.S. for the discovery of new projects in development and new voices on the independent film scene. The Project Forum is a meetings-driven forum connecting filmmakers who have new narrative and documentary projects with key industry executives interested in identifying projects with which to become involved at the financing or distribution stage.

It is qualitatively and quantitatively the best opportunity for an independent filmmaker to connect with industry professionals – including producers, funders, distributors, broadcasters, sales agents and festival programmers. The Project Forum also furthers filmmaker and industry interaction with opportunities for networking at social events throughout the week.

Now accepting applications for all three sections: Emerging Narrative (for writers and writer/directors seeking producers and agents to develop, produce, represent and finance their scripts), No Borders (for U.S. and international producers with partial financing on new narrative projects seeking additional partners), Spotlight on Documentaries (for U.S. filmmakers with projects in production or post-production seeking financing partners, broadcast/distribution opportunities, and festival invitations.)

Deadlines vary by section – from April 23 (for Emerging Narrative) to May 21 (for No Borders and Spotlight on Documentaries). For deadline schedule, criteria for all sections, and online applications, go HERE.

If you live in Chicago and either love or hate Todd Solondz’s work, there’s an event happening tomorrow (Thursday, April 15) that you don’t want to miss.

Thanks to the news tip from our friends at Cinematical (via THR’s Risky Business), Spengler himself, Mr. Harold Ramis, will be debating Fred Miller, M.D., Ph.D on Solondz’s 1998 film, HAPPINESS, during Columbia College’s Cinema Slapdown. The series is described as “A wildly entertaining crossbreed of film discussion and knockdown, drag out debate.”

For more info on the event, go here.

As always, SXSW was a success for SAGIndie. There’s something about being in Austin during March that makes for a very rewarding experience, both personally and professionally. The excitement and genuine love for film is so rampant that you never want it to end. This festival is quickly becoming one of my favorites and I highly suggest attending.

Besides seeing a couple amazing films (KICK-ASS and MICMACS), we were an exhibitor during the three-day trade show portion and had the chance to chat with a number of interesting filmmakers and actors. SAGIndie National Director, Darrien Gipson, took part in a “Meet the Guilds” panel that was very well attended and we finished out the week by co-hosting an amazing party with the WGA.

See below for some fun photos from the trip.

One of the best festival t-shirts I’ve seen. I definitely picked one up.

Registration was MUCH easier in 2010. Every year SXSW gets better at running their show.

Our busy booth. Co-ran with our great friends at SAG New Media.

This guy was our first GOWALLA challenge winner. He took home a bunch of goodies.

Blip.tv hosted an amazing party for filmmakers and new media professionals.

Cheeseburger flavored Doritos. Best or worst idea ever?

The Music Festival crowd begins to take over 6th Street.

–says John August as he moderates part 3 of the FIND Directors Series, a series of discussions between filmmakers, sound editors, actors, producers and more, hosted by Film Independent. I attended two of these events over the last few weeks. Each session had a focus; the first one’s topic was “working with actors” and the second focused on “sound in filmmaking.”

Panel One had crew members from The Blind Side, including Director John Lee Hancock and actress Kim Dickens, along with 2004’s the Alamo actor Jason Patric. What I remember most about that panel is Hancock’s admission that any good director isn’t afraid to say he doesn’t know the answer to a problem. He, Dickens and Hancock discussed problem days when certain scenes just wouldn’t work and how they problem-solved their issues. He suggested time, if you have it, to stop and go back to a particular scene. He also suggested opening a dialogue with the actor instead of trying to diagnose an issue and pick out problems when you don’t really know why something isn’t working. Basically, he believes that honesty can be the best policy when trying to get the right performances from actors.

The second panel I went to had Jeffrey Friedman, one of the two directors of HOWL, a Sundance 2010 film festival opener, and Lora Hirschberg from Skywalker Sound who was the sound editor for the film. Focusing on sound was refreshing since it seems to be one of the lesser discussed topics in filmmaking. One point that I wholeheartedly agreed with was stated by Hirschberg. She said that you should always try to get the cleanest takes while you’re on set. If sound tells you they need one more, you should get one more. The extra five minutes will pay off in the end when you aren’t stuck in a black box with your actors trying to record ADR and recapture that amazing moment that you saw materialize on set, five months later.

But my favorite quote was spoken by moderator John August, whose screenwriting credits include Go and Big Fish. It is also the title of this blog. He reminded me that making a film is a huge feat, but also, that having multiple project ideas in different genres is a good thing. Keep your options open and don’t be afraid to try a genre that you normally wouldn’t. The point is simple: get your work out there and get something made.

You can watch the videos by clicking here or by visiting Film Independent’s website.