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Filmmaker Interview: KATHY KOLLA, writer/director of WORLD’S LITTLEST BRAT

Will Prescott — Wednesday, December 16th, 2009

Most filmmakers understand that writing from personal experience can be beneficial when trying to create an honest and believable world. When that personal experience is combined with a passionate cause, the result can be a pretty powerful movie.

At least that’s what Kathy Kolla was aiming for when she started developing her upcoming feature film, World’s Littlest Brat, a comedy about a vegan outcast who stays true to himself despite his negative surroundings. Kolla based this story on her life experiences as a vegan and her strong commitment to environmental sustainability. She’s also taking her passionate cause beyond the script by instituting a green set during production.

Although this marks Kolla’s feature debut, she’s no stranger to the business. With a background in acting (she’s been a SAG member since 1997), her first film, Another Day Another Dime, had an impressive festival run, including an Audience Choice award at the Flint Film Festival.

World’s Littlest Brat is set to begin production in early 2010 with plans to be festival ready by the end of the year. In November of 2009 I had the opportunity to talk with Kathy Kolla, in detail, about her exciting new project. Per her suggestion, we agreed to limit our carbon footprint by conducting the interview over the phone.

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WILL PRESCOTT: So, World’s Littlest Brat. Where did the idea originate?

KATHY KOLLA: Well, being a vegan myself for over ten years and caring about the environment, I wanted to make an informative, highly humorous and entertaining film regarding these issues. We came up with a character idea about an outsider who manages to stay true to his beliefs and keep his intentions really positive despite all the criticisms and negativity in the world. I wanted to make something that was informative about certain issues that I care about, but do it in a very humorous, intelligent and comedic way.

WP: Can you expand a little bit on some of the negative things that surround him? Maybe discuss some of the challenges he faces?

KK: Basically, just people who don’t understand him. Not understanding the types of foods he eats and being uninformed about nutrition in general. Also, a lot of people believe that one person cannot make a difference to the environment. They’ll throw away their plastic water bottles, thinking they can’t make a difference. So, we have a lot of interesting facts in this film that really show that every little thing we do does make a difference. If we all can take those little steps, we can make a much better future.

WP: That’s interesting. So he’s going to be dealing with co-workers and parents who don’t understand him?

KK: Yeah, co-workers, parents – just everyone in his life. Trying to make new friends, trying to find love. People who don’t want to change their lifestyle or who refuse to accept someone who’s a little different.

WP: So I assume this script is somewhat autobiographical?

KK: It is a little bit. But you know, as with any movie or script, it doesn’t put out a true picture of life. It gives you the idea of some experiences I’ve been through or experiences my friends have been through.

WP: Do you have a specific premiere date or festival you’re trying to hit, or is this one of those “we’ll put it out when it’s ready” kind of situations?

KK: We want to get on it right away. We want to start post production immediately (after shooting) and we’re hoping to get it done by September and screening at festivals by the end of 2010.

WP: From what I understand, you’ll be using a SAG Ultra Low budget contract. Is that right?

KK: Yes. We’re going to keep the budget under $200,000. We have a lot of companies that are donating products to us, which we’re really excited about. That’s going to offset a lot of the cost of shooting. We have Amy’s Organic Kitchen. They’re offering a lot of vegan, vegetarian and organic food to feed our crew and cast members. Also, Glacia Icebox is offering us bio-degradable cardboard water boxes as an alternative to plastic. People (crew and cast) are going to bring their own water bottles and refill them, but when we go on location or something when we need to have portable or disposable water we’re going to use Glacia Icebox.

Also, whenever we’re not rewashing metal tableware, we’re going to use Eco-Products compostable tableware that is made out of PLA, a corn derived polymer so instead of throwing it away, we’re going to collect all of it and return it to a commercial composting facility, where within 80 days it will biodegrade.

WP: Wow. This isn’t just a film about a person who is environmentally friendly, you’re actually going with a green set.

KK: Right. And we’re not just going to have a green set, but we’re also going to highlight these products in the film.

WP: That’s great. Some environmentally friendly product placement. I like it.

KK: We have another one. GT’s Kombucha. It’s a tea with a lot of health benefits. They’ve already donated quite a few boxes for our crew members.

WP: I’m curious as to what, specifically, made you do a green set? Because you wanted to save some money or it was true to the story? How did you ultimately decide to pull the trigger on doing this?

KK: Well, I have to tell you that I originally just wrote in some of these products that I’m passionate about and that I like myself. I wrote them into the script just to get the word across. Then we contacted these companies and they were more than willing to be part of the project and donate. I originally thought I would purchase these products for props or whatever. Then when they wanted to offer all of this for our set, it actually made it a lot easier and less expensive for us, by offsetting so much of the cost.

WP: That’s great.

KK: We’re doing other things too, just to make it a green set, which also saves money. We’re shutting off idling vehicles. We’re using double-sided photocopying.  We’re being selective on the distribution of copies. You know, just doing whatever we can to make the film more earth friendly. Bringing the consciousness to the set as well as to the audience.

WP: I imagine you’ll have some crew and even cast on set who haven’t experienced this kind of stuff. They’re probably more familiar with more traditional and, sadly, more wasteful movie sets.

KK: That’s the main thing we’re going to tell people when we hire them. These are the rules and you really have to follow them, but feel good about it in the process. We don’t want it to feel like a chore. We want them to feel like they’re dong something good.

WP: Are you doing vegan meals too?

KK: Yes. Because of Amy’s Organic Kitchen, we’re going to offer a lot of vegan and vegetarian meals. We’ll have an abundance of that as an option. We’re not going to say that you have to eat that kind of food. We’re just going to offer healthy alternatives.

WP: Good to know it’s not an ultimatum if someone is a die hard carnivore.

KK: (laughs) Of course not. We don’t want anyone getting light headed because they didn’t get their cheese or meat or something.

WP: As I’m sure you’re aware, indie filmmakers have traditionally had a difficult time getting their projects off the ground. With this recent economic climate, it’s been tougher. During your process thus far, do you have any good advice or inspirational words of wisdom that you’d like to impart to other filmmakers?

KK: Find something or a subject that you believe in and that you’re passionate about — something positive. Focus on it, put all of your energy into it and people are going to see how passionate you are about it and they will want to help out and get involved.

WP: Any other words of wisdom in terms of taking care of our planet?

KK: It’s important to think about the effects that our everyday choices have on the earth. And that environmental sustainability does really begin at an individual level, which is so important for everyone to know. We need to preserve the planet for future generations and remember to do simple little things like recycle, riding your bike instead of driving to reduce your carbon footprint, and eat and purchase organic foods. By doing this, we’re sending a message that we care about the world and we want to continue our existence on it.

WP: And even better when you can involve that mindset in your career and in your passion as you’re doing with your film. Well, I’m really looking forward to seeing World’s Littlest Brat and wish you the best of luck with shooting.

KK: Thank you so much. I appreciate it.

For more information on World’s Littlest Brat or Kathy Kolla, visit Cola Kat Productions. If you’re an independent filmmaker or know of an independent filmmaker we should interview, email blogadmin@sagindie.org for consideration.

Empire State of Mind.

Will Prescott — Friday, December 4th, 2009

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People have always told me that no place on earth is better than NEW YORK CITY during the holidays. Now I know why.

Over Thanksgiving break I was in Manhattan taking in the glorious sights and sounds of a city buzzing with holiday cheer. For the short time I was there, I pushed myself hard — hustling to see everything I could while getting a cold and blistered feet in the process. I’m happy to report that the pain didn’t stop me from journeying down the endless streets of the Upper West Side, Lower East Side, Midtown, Chinatown, Little Italy, Brooklyn, Tribeca, Central Park – the list goes on and on. I didn’t even get to do everything I planned, but I aim to be back very soon.

Oh, and I guess there was work to be done (if you can even call it work). As is custom, SAGIndie once again sponsored the Gotham Awards. Located at 55 Wall Street in the Cipriani Building, we watched as some of 2009’s best independent films were honored. Guests of SAGIndie included Krysten Ritter (Breaking Bad, Woke Up Dead), Ivan Sergei (Crossing Jordan, Once a Thief), Steve Schirripa (The Sopranos) and Aubrey Plaza (Parks and Recreation, Funny People). All of whom were extremely delightful and fun.

The Hurt Locker won Best Feature and Best Ensemble Cast. Food Inc. won Best Documentary. Robert Siegel won Breakthrough Director for his amazing work on Big Fan. Catalina Saavedra won Breakthrough Actor for her work in The Maid. And the award for Best Film Not Playing in a Theater Near You went to You Won’t Miss Me, directed by Ry Russo-Young.

All in all, it was an amazing trip and another successful event for SAGIndie.

SAGIndie wants to hear from you

SAGIndie — Tuesday, October 20th, 2009

Hey! We need your help!

In an effort to strengthen SAGIndie and provide you with quality information, we’re looking to gather feedback from any and all interactions you may have had with us. Be it at one of our monthly workshops, one of our fabulous festival events, or just over the phone — your opinion matters to us.

Have our workshops totally confused you? Did you enjoy the scones at our Sundance Filmmakers Brunch? Have we (appropriately) touched you in some way and inspired you to be a better producer? All feedback — positive or negative — is welcome! (although, keep in mind that a special treat may be awarded to the person who showers our National Director with the most compliments.)

So, go ahead and drop us an email at blogadmin@sagindie.org and let us hear it. Feel free to send your comments anonymously, but please include any pertinent info regarding your interaction(s) with us, such as “I was at your bowling party in NYC” or “I attended a contract workshop on November 30″ or “I called in on a Tuesday in March.” The more information we get, the better off we’ll be able to address your thoughts.

As always, thanks for your continued support. We look forward to hearing from you!

All the best,

Your friends at SAGIndie.

19th Annual Gotham Independent Film Award Nominations

SAGIndie — Monday, October 19th, 2009

Check out the complete list of nominees for the upcoming Gotham Awards that take place on November 30th at Cipriani Wall Street in NYC. BIG FAN and THE HURT LOCKER lead the nominations.

Best Feature
Amreeka
Cherien Dabis, director; Christina Piovesan, Paul Barkin, producers (National Geographic Entertainment)
Big Fan
Robert Siegel, director; Jean Kouremetis, Elan Bogarin, producers (First Independent Pictures)
The Hurt Locker
Kathryn Bigelow, director; Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro, producers (Summit Entertainment)
The Maid
Sebastian Silva, director; Gregorio Gonzales, producer (Elephant Eye Films)
A Serious Man
Joel Coen and Ethan Coen, directors/producers (Focus Features)

Best Documentary
Food, Inc.
Robert Kenner, director; Robert Kenner, Elise Pearlstein, producers (Magnolia Pictures)
Good Hair
Jeff Stilson, director; Chris Rock, Kevin O’Donnell, Nelson George Jenny Hunter, producers (Liddell Entertainment and Roadside Attractions in association with HBO Films)
My Neighbor My Killer
Anne Aghion, director/producer (Gacaca Productions)
Paradise
Michael Almereyda, director; Michael Almereyda, Laurie Butler, producers (Post Factory Films)
Tyson
James Toback, director; James Toback, Damon Bingham, producers (Sony Pictures Classics)

Best Ensemble Performance
Adventureland
Jesse Eisenberg, Kristen Stewart, Martin Starr, Kristen Wiig, Bill Hader, Ryan Reynolds (Miramax Films)
Cold Souls
Paul Giamatti, Dina Korzun, Emily Watson, Katheryn Winnick, David Strathairn (Samuel Goldwyn Films)
The Hurt Locker
Jeremy Renner, Anthony Mackie, Brian Geraghty, Ralph Fiennes, Guy Pearce, David Morse, Evangeline Lilly (Summit Entertainment)
A Serious Man
Michael Stuhlbarg, Richard Kind, Fred Melamed (Focus Features)
Sugar
Algenis Perez Soto, Rayniel Rufino, Michael Gaston, Andre Holland, Ann Whitney, Richard Bull, Ellary Porterfield, Jaime Tirelli (Sony Pictures Classics)

Breakthrough Director

Cruz Angeles for Don’t Let Me Drown
Frazer Bradshaw for Everything Strange and New
Noah Buschel for The Missing Person (Strand Releasing)
Derick Martini for Lymelife (Screen Media Films)
Robert Siegel for Big Fan (First Independent Pictures)

Breakthrough Actor
Ben Foster in The Messenger (Oscilloscope Laboratories)
Patton Oswalt in Big Fan (First Independent Pictures)
Jeremy Renner in The Hurt Locker (Summit Entertainment)
Catalina Saavedra in The Maid (Elephant Eye Films)
Soulemane Sy Savane in Goodbye Solo (Roadside Attractions)

Best Film Not Playing at a Theater Near You
Everything Strange and New
Frazer Bradshaw, director; Laura Techera Francia, A.D. Liano, producers
Guy and Madeline on a Park Bench
Damien Chazelle, director; Jasmine McGlade, producer
October Country
Michael Palmieri and Donal Mosher, directors/producers
You Won’t Miss Me
Ry Russo-Young, director/producer
Zero Bridge
Tariq Tapa, director; Tariq Tapa, Josee Lajoie, Hilal Ahmed Langoo, producers

SF2: SAG Foundation Short Film Showcase

SAGIndie — Friday, October 2nd, 2009

Happy Friday!

Just wanted to let you know that the SAG Foundation in New York has launched SF2 (SAG Foundation Short Film). SF2 is a new showcase where filmmakers can screen their shorts and inspire SAG members to create their own projects produced under a SAG contract.

For more details click HERE or contact the Foundation’s NY Program Director, Franz Reynold at
freynold@sagfoundation.org.

Best wishes,

SAGIndie

My Venice Sighting

Alexis — Monday, September 21st, 2009

There is a small island just a short vaporetta ride away from Venice proper called the Lido where the Venice Film Festival takes place.  On the Lido, it is the Excelsior Hotel where everyone seems to congregate.  I suppose it would be like a fancy version of the Marriot at Sundance or the Croisette at Cannes.  If you sit in the lobby at the Excelsior, you are destined to see everyone who has come for business (as they check your credentials before letting you in the lobby) and judging by some of the outfits, some who have come to play as well (although I’m not sure how they get into the hotel… maybe through the beach entrance.)

This past trip, several colleagues and I were enjoying the scenery in the lobby when through a sea of Italians, I saw a fleeting glance of something familiar.  It was a face I have seen in Variety photos and the occasional acceptance speech at the Oscars, but there he was, in the flesh… Harvey Weinstein.

Now, SAGIndie is at the Venice Film Festival because we sponsor a program with the American Pavilion, where film students attend the festival and we program a speaker series with industry professionals.  We contact people in advance of the festival, but are always looking for people we might run into at the festival and ask to participate as a speaker.  Last year, a lovely crossing of paths in the lobby with Tilda Swinton provided for a beautiful one hour talk.

I knew all of my colleagues were looking at me, thinking, Harvey Weinstein as a speaker would be the greatest coup of all time.  Imagine the photo ops and the bragging rights.  I pretty much knew there was absolutely no way I was going to go up to him.  There are people that you never really expect to speak to or, for that matter, want to even know you exist.

A brief aside - I’m actually a Harvey convert after having seen the directors cut of Cinema Paradiso made substantially better by what I had once believed to be the evil hand of Harvey.  He saved Cinema Paradiso from a long and drawn out plot and made it the brilliant film that I hold so dear.

So we stared at him talking to a very beautiful young woman.  Jackie snapped photos (see below) and we discussed how there was just no way I would ever go over there.  But then it happened.  He started walking over to us, a straight line directly towards our table.  I don’t know if he thought maybe we were Americans and he knew us, or wanted us to stop the photos, but he was just standing there looking at us.  Darrien asked if we could help him but he didn’t answer.

Then, it just came out. From some deep well of security that I only tap into during the most uncomfortable moments I did it, “Excuse me, Mr. Weinstein may I ask you a question, I’m Alexis Fish from SAGIndie, we program speakers every year for film students who attend the festival and I would love to…”

The pretty woman we were watching him speak to walked up next to him and asked him something.  He turned around and walked away with her as quickly as he had arrived (note: we wound up seeing her on the red carpet just minutes later as it turns out she was a famous European actress.)
It was perfect. We were all kind of shocked by what had just happen and started laughing as it really was a bit surreal. Of course he turned mid-sentence and walked away.  He still is Harvey Weinstein, but I survived it, completely unscathed.  So, now I have an opening line for my next meeting with Harvey, when I’m trying to get him to buy my feature, I’ll mention the time we chatted at the Excelsior in Venice.

I just hope this doesn’t show up on a Google alert or something.

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Darn [Filmmaking] Kids These Days!

Darrien Gipson — Wednesday, August 26th, 2009

I’ve been in this industry for a while now. No, I wasn’t hanging out with D.W. Griffith (THAT certainly wouldn’t have gone well for me!), but I’ve loved movies all my life, and have been “in the biz” for a couple of decades, so I’d like to believe that I have some small amount of insight. Eh, scratch that – I think I’m freakin’ brilliant!

I remember what it was like when I was a newbie. Our cell phones weighed 3lbs, flipped down to answer, and had an extendable antenna. When you saw someone on the street with it, you knew they were either a big shot making big deals, or a Marine calling in air support. Ah, good times AND a good arm workout! But nowadays, filmmakers have it easy. Sure, it’s nearly impossible to get money for the budget – but there was only like 12 days when getting money was “easy” and I missed them. Technology has advanced such that, if you can get your hands on a camera, video or film, or if you can get your parents to buy you a RED, you can create your opus. Now I would be the last person to say to get your friends together and just shoot it, because we all know that getting PROFESSIONAL TALENT is what it’s all about. But let’s face it, not every great production is… say, ready (read: good enough) to warrant a professional cast.  So I’m taking that hat off. But you can make a film.

But what will be our next great indie film trend? We have done to death the Tarantino-esque gritty, profane homages to the 70’s. Besides, UNDERCOVER BROTHER said all there was to say on that. The slacker movie is, thankfully dead or dying – thanks James Franco. And now Judd Apatow has started to falter (it’s not lost on me that these are not “indie” films but big films whose subject matter should have been shot on your sister’s camera). 500 DAYS OF SUMMER is a romance (or death of) story cleverly told with a hipster soundtrack. Tomorrow, there will be 600 more “I love you/I hate you” films with songs by bands that only the WWWAAAAYYYY underground people will know.

What’s my point? Well, truth be told, I forgot that hours ago and am now just rambling to watch the letters appear on my screen. Xxxxxxxxxxxxxxxxxzzzzzzzzzzzzzzzzzzzzzzzzuuuuuuuuuuuuuuu. BUT, I will say this – we need you all.  We need you to get out there and figure this out.  Indie film isn’t dying, it’s MOLTING. It’s shedding the dead skin of those who have long since lost their indie stripes and underneath is the gleaming new skin of the next generation. Uh, in this analogy, you’re the new insect skin. Just want to be clear. We need you to keep INDIE so we can continue to outshine the big boys and their bloated productions.  We need you so we can keep pulling a paycheck – but that’s neither here nor there. So, get out there and work. Think of what makes you interesting (anything? Beuller? Beuller?) and make a movie about it. Do you see the world in a different way? Make a movie about it.

Not sure you’re that interesting? Make a short. Still not sure? Make a sandwich and figure out what you’re doing with your life. In any case, remember: Actors act, writers write, and filmmakers LIVE and hold a camera up to it at the same time. Hope you’re ambidextrous.

BANDSLAM: Victim of Shoddy Advertising?

Eliza Hajek — Thursday, August 20th, 2009

Nikki Finke has posted an insightful insider account of a very real possibility behind the embarrassing gross of Walden Media’s BANDSLAM. As I am very close with a handful of people who worked on the film, I have had to opportunity to see it twice in previews, and I can assure you, it’s smarter than your average cringe inducing, placating drivel that something like Disney churns out consistently. I have heard a lot about the advertising, about how it appeared to be another film compromised of the aforementioned descriptors.

Honestly, I haven’t even seen any advertising for Bandslam at all, but have heard enough about it to surmise that someone decided it was in the film’s best interest to go the lazy route and now we have a great film that never stood a chance; dressed it up in High School Musical clothes, when it should have been out in something closer to what SCHOOL OF ROCK was wearing.

Check out the Article HERE.

BRONSON comes to the States!

Will Prescott — Tuesday, August 18th, 2009

One of my favorite films from this past Sundance was a small, UK film, BRONSON. It stars TOM HARDY (RocknRolla, the yet to be released Inception) as a man who, after being sentenced to seven years for a minor burglary, ends up spending 30 years in solitary confinement. Based on an actual person and brilliantly executed by Nicolas Winding Refn, the film is funny, violent, and remarkably poignant.

It opens domestically on October 23. Watch the trailer HERE.

Food for Thought at the Traverse City Film Festival

Alexis — Friday, August 14th, 2009

This past week I packed my bags for the North Woods of Michigan and Michael Moore’s Traverse City Film Festival.  I had to select my tickets in advance so I went into the festival knowing I was seeing several documentaries including The Cove (winner of Sundance Audience Award,) Food Inc. (because so many people in LA are talking about it) and Burma VJ (I met the director at Sundance and absolutely adored him.)

With these films in mind, I packed my books for the accompanying plane ride, Julia Childs Memoir, “My Life in France” and Michael Pollen’s follow-up to the Omnivore’s Dilemma, “In Defense of Food.”  I also did some quick research to see what food stuffs were going on in Northern Michigan and was thrilled to find out there is a raging slow food and sustainable growing movement.

By the time I landed at Cherry Airport I was well into life at the Cordon Bleu with Julia. I would have given anything to find moules marinieres and a robust red wine to compliment this journey.  But instead having missed the opening night screening due to delayed flights, I walked over to the opening night party, an outdoor fest with at least a dozen food and wine sponsors sampling all their best fare, a blue grass band and about 200 patrons enjoying the warm Michigan night.  While I did not see Mr. Moore anywhere, I could definitely feel his hand in putting this all together.

The next morning was my first screening of the fest, The Cove. I knew it was going to be rough as I had read the reviews after Sundance.  Two hours later, I was devastated.  I can barely recount what I saw happening to dolphins and feel forever indebted to the supreme work the advocates against the abuses these beautiful creatures face.  I also don’t know if I can ever eat tuna, at least what I think is tuna.  Actually, just make that sushi or anything I don’t know comes from responsible sustainable wild fish farms again. In the past I have kept it in check, knowing about mercury levels and the over fishing of the worlds seas but this film drives it home and you just can’t turn a blind eye.

I was able to regroup, I spent a couple of chapters with Julia in the south of France, went to see “Everlasting Moments” a beautiful yet tragic Swedish film that premiered last year in Toronto, then walked over to dinner passing the outdoor projector they had set up next to the lake to screen Close Encounters of the Third Kind. We sat in The Cooks House garden, a perfect execution of a dream slow food inspired restaurant where the chef/owner who trained under Andre Rochat asked us if we were the table who had ordered the arugula as he picked it from the garden directly in front of us!

Little did I know I would go home that night to begin Michael Pollen’s book, “In Defense of Food” and realize how truly important that meal had been.  After breakfast and a couple chapters further along (as a solo traveler around the world, I tend to read at my meals) I loaded my suitcase in the rental car and headed to my final screenings of the festival, Food Inc. and Burma VJ.

Now, since one of my first internships helping to write the online outreach guide for MediathatMatters.org, I have been a true believer in films ability to act as a catalyst for social change.  After watching “Food Inc.” I don’t know how anyone could not drastically change almost every food choice they make.  Its nothing you haven’t heard whisperings of before, animals pumped with antibiotics and hormones that we intern consume and chickens that can’t walk because they are grown with extra large breasts as that is the meat consumer demand.  Somehow, we as a country and the world at large are making some tragic and deadly mistakes.

In a post film daze, I followed the crowd over to the local co-op that had sponsored the film.  Amazing that this little town in Northern Michigan has the best co-op I have ever seen (Brooklyn and Santa Monica included) where I found a completely locally and organically grown pesticide free vegetarian sandwich and eavesdropped on conversations around me of people deciding to plant their own gardens, commit to free range, grass fed, hormone free beef and give up soy products.

Michael Moore had done it again.  I’ve had the pleasure of clapping twice for more than half an hour for standing ovations at Cannes for the premieres of Fahrenheit 9/11 and Sicko, the audience overwhelmed at the power of the images and stories he had just told.  And here I was at the café in Traverse City, MI, figuring out how I was going to plant my garden, go to my farmers market, support restaurants like The Cooks House who are making informed, smart and political choices in the food they serve and give up sushi.

In essence, the third and most important standing ovation for Mr. Moore and his commitment to providing his audiences with such important food for thought.