SAGIndie

The New Orleans Film Festival is underway and SAGIndie’s Eliza Hajek is in attendance. Be sure to follow her on Twitter for all the fun updates from the Big Easy!

twitter.com/sagindie

The Screen Actors Guild is now accepting submissions for its next SAG Foundation short film showcase which will be presented in late January 2011 in New York.

ALL FILMS MUST BE PRODUCED UNDER A SAG CONTRACT.

Films must not be over fifteen minutes in length. We are open to all genres of cinematic expression, as long as it is not patently offensive. There is absolutely no cost involved in submitting the films, nor do we charge to attend the screening.

For more information please send an email, including a brief synopsis and the running time of your film to: shortsny@sagfoundation.org.

Best wishes,

SAGIndie

The TFI Sloan Filmmaker Fund is awarding $140,000 in grants of $10,000 – $40,000 to narrative features at any stage from treatment to completed film. The Fund seeks narrative projects of all genres (except science fiction or fantasy) that creatively address the role of science and technology in everyday lives, or that depict the lives of  scientists, engineers, innovators and mathematician in new, but still accurate, ways.

Selected projects from eligible directors, screenwriters and producers will be highlighted at the Tribeca Film Festival in 2011.  In addition to funding, TFI provides guidance, introductions and industry exposure to help move selected projects closer to completion.

Early Deadline: November 8, 2010
Final Deadline: December 8, 2010

Visit www.tribecafilminstitute.org for more information and to apply now!

Learn How to Use SAG’s Low Budget and New Media Agreements

Whether you want to produce your own project or just learn more about the provisions under SAG’s New Media and Low Budget Contracts, this seminar is for you.

Join us and learn how easy it is to use SAG’s New Media and Low Budget Agreements. This event is sponsored by Hollywood MOVE.

7-9 p.m., Tuesday, September 28, 2010

SAG Headquarters
James Cagney Board Room
5757 Wilshire Blvd.
Los Angeles, CA

Parking will be validated.

To RSVP or for more information, contact Jackie Perez at (323) 549-6894 or e-mail: movehollywood@sag.org

So, I arrived in Toronto fairly early on Sunday, but extremely tired. My impression of the city is pretty positive – it IS as clean as they say. I’ve only been here once before, and it was many years ago, so I had no idea if that would hold up. (Although it’s clean, it is NOT clean enough to go walking around barefoot – as some little chippy on the street next to us thought. Eewww!) I got my credentials and I’ve managed to actually see a movie already. I’m actually really interested in quite a few movies that are here. It’s an interesting mix of big and small, N. American and foreign. The theatres are good, too.

Know what was surprising? That there are plenty of volunteers on hand – and they actually seem to know what’s going on! Every festival has volunteers, and they should all be lauded and thanked upon spotting because no festival could last without them. But let’s face it, not all volunteers really know everything they should (shockingly, not every customer service operator you get on the phone is interested in helping you with your problem, either. I hate to be the one to tell you that).

We haven’t figured out the food, yet. I mean, what is Canadian cuisine? We had maybe the world’s worst Mexican food today. By people who have never SEEN anything Mexican beyond the fake pinata from the party store they have hanging from the ceiling. We had to show them how to make the margaritas better (um, if that’s what we were drinking – which is clearly NOT what we were drinking, of course). So we plan to explore a bit more, gastronomically. The lunch at the English pub yesterday was really quite good (and the cider we did NOT drink was tasty, too).

Films I’m looking forward to: NEVER LET ME GO; THE BLACK SWAN; LET ME IN, BEAUTIFUL BOY and maybe, just maybe L.A. ZOMBIE (if you know it, you know it. lol)

Stay tuned. And check out the statue of Winston Churchill. He looks like a crotchety old man swearing at kids to stay off his lawn.

UPDATE (9-14-10):

The weather in Toronto is a bit psychotic. Blazing hot one minute, threatening showers the next.  I feel like a pack mule – schlepping my  “oh so cool” aviators alongside my umbrella. What I need is my own Farnsworth Bentley to walk beside me and hold an umbrella over my head.  But my FB would never get a chance to talk!

UPDATE (9-15-10):

HENRY’S CRIME probably won’t win any awards, but it was a nice change of pace from the uber dramatic fare of festivals. Keanu Reeves, Vera Farmiga, and James Caan make for a cast with fun chemistry. It won’t make anyone’s Best of the Fest but I’m glad I saw it. I will say that, in a theater of over 1,200 people, I have never heard such a number of ridiculous questions asked by any group who are not 6th graders. I mean, really people.

UPDATE (9-17-10):

One thing mroe I can say about Toronto – it has had great films. We’ve seen a good amount of them, and it was pretty easy. Usually, if you don’t have tickets when you arrive to a big festival, you are likely out of luck. But, Toronto has been surprisingly easy. We have managed to see every film we wanted. The biggest challenge was just getting out of bed (but that’s just typical for me). The festival is run smoothly, and everything has been easy. In fact, we kept arriving to films really early because we were sure that “this one” would be the one with crazy lines, etc. Never happened (and we often looked silly lined up so early. Like those guys in Seattle who waited in line for 2 weeks for Star Wars – episode 51a). The films, we’re really pleased with them.  I don’t often rave about a film. Usually, like most film people, I stay ambivalent so that, when I give my opinion, all my film snob friends can’t then say they hated it and make me feel stupid. (aahhh, good times). But I have to say that I loved, LOVED, BLACK SWAN. Darren Aronofsky has made a film so intense, so beautiful, so well crafted that I want to use words like “tour de force” and “revelatory” – you know, strange critic speech.

Seriously, I don’t think I’ve been so amazed by a film in recent years.  I came out breathless and exhausted.  I like Natalie Portman just fine, but I never knew she had THIS in her. This performance is better than any I’ve seen by an actress this year. And yes, we’re not done with the year. I know that there are holiday films coming and maybe one will be great. But she deserves a Best Actress nomination, and right now, she deserves to win. Period. However, there are nay-sayers. I haven’t heard of anyone saying they didn’t like the film. But there has been talk about whether the film is “too intense for an American audience”.  ???? When did we become such a soft, namby-pamby country that we’re too sensitive for a film ABOUT BALLET?  Really people.  It is crazy intense, it’s a bit frightening and surreal – but it’s a movie. If our American sensibilities are too fragile to appreciate this film, then we need to stop calling ourselves a Super Power (we might want to do that anyhow, but….).

So there you have it. I’ve said it. I think this is Aronofsky’s best work – even better than THE WRESTLER (though I nearly hurled at times from scenes in both). Anyone who doesn’t like it, come see me. I have a diaper I want you to wear.

The nation’s largest competitive multicultural film fest will convene in NYC Sept 15 – 19, 2010.

NEW YORK, NY (September 8, 2010) – The 14th Annual Urbanworld Film Festival, presented by BET Networks, is proud to announce Urbanworld Digital, an exciting addition to the festival that will be hosted by HBO® on September 15, 2010. This invite-only program will feature executives from Abrams Artists Agency, HBO, MTV Networks, NamcoBandai America, Screen Actors Guild, Writers Guild of America, East, and SAGindie, who will share their expertise in gaming, social media, new media contracts, and production. A collaboration between Jigsaw Global and the Urbanworld Foundation, Urbanworld Digital will serve as a primer for film professionals who want to learn more about digital media production and make new contacts on the tech side of the entertainment industry.

“We’re excited about our partnership with Jigsaw Global, which has allowed us to bring the digital aspect of the entertainment industry back to the festival in its own, unique programming track,” says Stacy Spikes, founder of Urbanworld. “HBO is the perfect host for Urbanworld Digital, because HBO continues to innovate in the worlds of film, TV, and digital media.”

The festival will continue September 16 – 19 at the AMC 34th St Theater in New York City. Unique programming features include BET Networks’ Inaugural TV Script Writing Competition, in which aspiring TV writers will have a chance to win $5,000, and the BET Networks with “My Black is Beautiful” Present: The Tasha Smith Actors Workshop, a two-day instructional seminar offering students the chance to hone their acting skills.

In addition to festival ambassador Kerry Washington, celebs such as Nia Long, Jamie Hector, Omari Hardwick, Salli Richardson-Whitfield, Evan Ross, Kid Capri and Clint Dyer will be in attendance to support their respective films.  Spotlight films and programs at Urbanworld this year include:

• HBO’s Boardwalk Empire℠, a 1920s-era drama set in Atlantic City at the dawn of Prohibition (series premiere) from Terence Winter, Emmy® Award-winning writer of The Sopranos® and Academy® Award- winning director Martin Scorsese
• BET’s My Mic Sounds Nice, a documentary exploring the role of female rappers in hip-hop (directed by Ava DuVernay and featuring interviews by Missy Elliott, EVE, Trina, Rah Digga, MC Lyte, Yo Yo and more)
• One Night in Vegas, part of ESPN’s “30 for 30” documentary series, this film details the evening of 1996 when Tupac Shakur was shot (directed by Reggie Rock Bythewood; starring Mike Tyson)
• Kid Capri Presents: The Lionz Den, a short film about an underground rap battle in Harlem (directed by Kid Capri and Loaded Lux, starring Big Daddy Kane, KRS-One, and Rakim)
• Sus, a based-on-a-true-story drama centering on the controversial British “sus” laws and their inherent racism (directed by Robert Heath; starring Ralph Brown, Clint Dyer)
• Africa Rising, a documentary portraying the grassroots movement to end female genital mutilation (directed by Paula Heredia)

For the complete slate of films or ticket information, visit www.urbanworld.org. For more information on Urbanworld Digital, visit http://ow.ly/2x1gy.

About Urbanworld
The Urbanworld® Film Festival is the largest internationally competitive festival of its kind. The five-day festival includes features, documentaries, short films, as well as panel discussions, live staged screenplay readings, the celebrated Actor’s Spotlight, Actor’s Boot Camps, and introducing Urbanworld® Digital, a 1-day Conference during the festival focused on Digital and Social media.  Over the last thirteen years, Hollywood studios have consistently chosen Urbanworld® to premiere box office and award-winning hits.  Urbanworld® has also become home to some of today’s top brands who wish
to reach key influencers and social media leaders across the African American and Latino landscape.  The Urbanworld® Film Festival is an initiative of the Urbanworld® Foundation Inc., a nonprofit organization founded in 1997 by Stacy Spikes dedicated to redefining the multicultural roles in contemporary cinema, television and online by implementing programs and initiatives that support the development of the urban content creation community.  Gabrielle Glore serves as Executive Producer of the Urbanworld Film Festival, as well as ancillary Urbanworld Foundation endeavors.  For this year’s 2010 festival, BET Networks returns as the Presenting Sponsor.  HBO continues support as the Founding Sponsor.  Principal Sponsors include My Black Is Beautiful, Lens On Talent, and Ford.  Media Sponsors include Essence, Vibe, Uptown, BlackPlanet.com, TheUrbanDaily, KISS FM, HOT 97, and Jigsaw Global.  Benefactor Sponsors include AMC Theatres, Directors Guild of America – New York, and urbanAdserve. The festival website is www.urbanworld.org.

About BET Networks
BET Networks, a subsidiary of Viacom Inc. (NYSE: VIA, VIA.B), is the nation’s leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel reaches more than 90 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom and sub-Saharan Africa. BET is the dominant African-American consumer brand with a diverse group of business extensions: BET.com, a leading Internet destination for Black entertainment, music, culture, and news; CENTRIC, a 24-hour entertainment network targeting the 25- to 54-year-old African-American audience; BET Digital Networks – BET Gospel and BET Hip Hop, attractive alternatives for cutting-edge entertainment tastes; BET Home Entertainment, a collection of BET-branded offerings for the home environment including DVDs and video-on-demand; BET Event Productions, a full-scale event management and production company with festivals and live events spanning the globe; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET in the United Kingdom and oversees the extension of BET network programming for global distribution.

VisionFest 2010 is Filmmakers Alliances’ yearly celebration that brings together the best of L.A.’s independent filmmaking community.

When: Friday, August 27th, 8 p.m.
Where: The Downtown Independent Theater 251 S. Main St., Los Angeles, CA 90012
Tickets: $25. Tickets are extremely limited this year, please go here to purchase: http://visionfest2010.eventbrite.com

The evening begins with the presentation of the NILSSON AWARD, curated and presented by the award’s namesake and inaugural recipient, ROB NILSSON. The award acknowledges and celebrates bold, direct, honest and aesthetically challenging filmmaking that is often unrecognized by the mainstream independent film community. This year’s Nilsson Award recipient is Armenian filmmaker Harutyun Khachatryan.

Next is the presentation of the VISION AWARD to an established filmmaker whose artistic ambition and consistent filmmaking excellence provides artistic inspiration to emerging filmmakers all around the world.  Past recipients include MIke Figgis, Terry Gilliam, Wim Wenders, Allison Anders, Alexander Payne, David O. Russell, Werner Herzog, Mark and Michael Polish, Kevin Smith, and visionary producer Ted Hope. This year’s Vision Award Recipient is Danish filmmaker NICOLAS WINDING REFN. The award will be presented by RYAN GOSLING. Known for the “Pusher” trilogy, Refn’s been making films for 15 years and his work is only now receiving the attention it deserves in this country. His work bares the signature of a true visionary – difficult to categorize, but singularly arresting, his films are not for the feint of heart – beautiful, often brutal and beyond compare.

This is all followed by a program of the best short films produced through Filmmakers Alliance in the previous year.The program is as follows:

Wait For Me by Dylan O’Brien and Holly Murdoch O’Brien
Native Time by Sean Morris
Beyond Silence by Vidyut Latay
Gonah Kardam Directed by Gabriela Tollman and Produced by Babak Shokrian
Aliens Vs. Predator Directed by Stephen Reedy and Produced by Megan Powers
David and Goliath by George Zaver
Quetzal Directed by Marc Levy and Produced by Amanda Sweikow

The evening finishes with a high-energy party on the rooftop of the Downtown Independent Theater and is catered by some of Los Angeles’ best restaurants.

Tickets are extremely limited this year, please go here to purchase: http://visionfest2010.eventbrite.com

NOTES:

EVENT WILL BE AT CAPACITY. PLEASE ARRIVE EARLY TO ENSURE SEATING. SEATS CANNOT BE GUARANTEED, NOR REFUNDS MADE IF YOU ARRIVE AFTER 7:45 P.M. ALLOW FOR PARKING. (instructions below).

Parking is not free. There are several parking structures near the theater. $9 parking is available right next door to the theater on the north side. However, $5 parking is available at the Los Angeles Times parking structure at 213 South Spring Street.

In case you missed it, check out coverage on the Sundance Institute’s inagural short film workshop in Los Angeles. Overall, it was a big success,with special indie speakers like Miguel Arteta, Peter Sollett, Jay Duplass, and even SAGIndie Director Darrien Gipson.

Read it now: Sundance Schools Short Filmmakers at First Ever ShortsLab: L.A.

The article was written by our friend, Kim Adelman, for indieWIRE.

Hey! If you’re attending the Traverse City Film Festival be sure to go see ME AND ORSON WELLES directed by Richard Linklater. SAGIndie is sponsoring the screening!

More info HERE.

EVERYTHING YOU NEED TO KNOW TO GET YOUR FILM MADE AND SEEN – IN ONE BOX!

When:     August 1, 2010. 9 a.m. to 6 p.m.
Where:    The Downtown Independent Film Theater. 251 S. Main St., Los Angeles, CA 90012

REGISTER NOW: http://famasterclass.eventbrite.com

Special discount code: SAGmember

Filmmakers Alliance’s INDEPENDENT FILM MASTER CLASS is the complete, all-in-one package – a definitive, step-by-step, one-day seminar for independent filmmakers offering all the information you need to get your film MADE and SEEN. The INDEPENDENT FILM MASTER CLASS is a clean, clear, concise and complete independent filmmaking blueprint for your film project that will allow you to sustain your life as a filmmaker!

• Concept, Story and Script Development – Developing ideas and concepts that work! Then, writing that script in a way that will get your film made without compromising your vision.
• Film Financing and Crowdfunding – Where to find the money and what you need to do to get it. Also, exploring new strategies in raising money for your film.
• Pre-production and Production – How to get the most filmmaking bang from your budget – creatively and cost-efficiently managing your project. Also, how best to work with actors, crew, locations, unions, guilds, crafts to ensure your film not only gets made, but looks exponentially more than its cost.
• Filmmaking Tech Tools and Online Filmmaking Support – Make your production easier to manage and giving yourself tighter control of your project by turning your computer into a portable production office (and saving the cost of overhead). There are amazing new tools online and beyond to help filmmakers – at every stage of the filmmaking process -manage the once overwhelming task of creating, shooting, finishing, promoting and distributing a film. Find out what they are and how best to use them.
• Post-Production – New technologies and methodologies are making it easier to high end work with a low end budget. Find out what they are and what you need to do give a stunning, world-class finish to your film and how to prepare for it long before you reach post.
• Festivals and Distribution – Understanding the festival circuit and how to use it to your film’s greatest advantage. And devising and executing a distribution plan that will give your film it’s best shot at success and sustain your filmmaking life!

Speakers include no-budget filmmaking specialist Mark Stolaroff, post-production expert, Michael Cioni, Colleen Nystedt founder of the innovative web tool MovieSet, self-distribution guru Marc Rosenbush, writer-director Sean Hood discussing concept/story development and screenwriting for Indie features, writer-director Liam Finn serving up war stories on his no-budget first feature “Rejouer“, filmmakers Diane Bell and Chris Byrne talking about financing and other issues putting together their award-winning Sundance favorite “Obselidia“, AND MORE TO BE ANNOUNCED!!

REGISTER NOW: http://famasterclass.eventbrite.com

Special discount code: SAGmember

The seminar also includes filmmaker case-studies and open Q&A periods, so come prepared with your specific filmmaking questions – the ones that most have you stumped – so that we can take you to the next level.

SEMINAR SPECIAL – 10 filmmakers will be selected from the attendees for a FREE 6-session series of consultations. You MUST submit your project to masterclass@filmmakersalliance.org no later than June 30th for consideration. Please submit no longer than a single page synopsis, a filmmaking resume and links to any previous work. Please DO NOT send video files or full scripts.

THE SEMINAR WILL BE FOLLOWED BY A RECEPTION ON THE ROOF OF THE DOWNTOWN INDEPENDENT FILM THEATER!

REGISTER EARLY: http://famasterclass.eventbrite.com

Special discount code: SAGmember

Ticket Prices:

• $175* – Includes seminar fee plus one year of Filmmakers Alliance membership.
• $125* – General seminar fee only.
• $75* – Seminar fee for FA members only (with special discount code: SAGmember)
• $50 – Live Interactive Webcast. The URL to enroll in the Live Interactive Webcast is COMING SOON!

*Fee includes lunch and parking.

Get your tickets and start making your film NOW!

THANKS SO MUCH FOR YOUR SUPPORT!

All the best,

Filmmakers Alliance