SAGIndie

VisionFest 2010 is Filmmakers Alliances’ yearly celebration that brings together the best of L.A.’s independent filmmaking community.

When: Friday, August 27th, 8 p.m.
Where: The Downtown Independent Theater 251 S. Main St., Los Angeles, CA 90012
Tickets: $25. Tickets are extremely limited this year, please go here to purchase: http://visionfest2010.eventbrite.com

The evening begins with the presentation of the NILSSON AWARD, curated and presented by the award’s namesake and inaugural recipient, ROB NILSSON. The award acknowledges and celebrates bold, direct, honest and aesthetically challenging filmmaking that is often unrecognized by the mainstream independent film community. This year’s Nilsson Award recipient is Armenian filmmaker Harutyun Khachatryan.

Next is the presentation of the VISION AWARD to an established filmmaker whose artistic ambition and consistent filmmaking excellence provides artistic inspiration to emerging filmmakers all around the world.  Past recipients include MIke Figgis, Terry Gilliam, Wim Wenders, Allison Anders, Alexander Payne, David O. Russell, Werner Herzog, Mark and Michael Polish, Kevin Smith, and visionary producer Ted Hope. This year’s Vision Award Recipient is Danish filmmaker NICOLAS WINDING REFN. The award will be presented by RYAN GOSLING. Known for the “Pusher” trilogy, Refn’s been making films for 15 years and his work is only now receiving the attention it deserves in this country. His work bares the signature of a true visionary – difficult to categorize, but singularly arresting, his films are not for the feint of heart – beautiful, often brutal and beyond compare.

This is all followed by a program of the best short films produced through Filmmakers Alliance in the previous year.The program is as follows:

Wait For Me by Dylan O’Brien and Holly Murdoch O’Brien
Native Time by Sean Morris
Beyond Silence by Vidyut Latay
Gonah Kardam Directed by Gabriela Tollman and Produced by Babak Shokrian
Aliens Vs. Predator Directed by Stephen Reedy and Produced by Megan Powers
David and Goliath by George Zaver
Quetzal Directed by Marc Levy and Produced by Amanda Sweikow

The evening finishes with a high-energy party on the rooftop of the Downtown Independent Theater and is catered by some of Los Angeles’ best restaurants.

Tickets are extremely limited this year, please go here to purchase: http://visionfest2010.eventbrite.com

NOTES:

EVENT WILL BE AT CAPACITY. PLEASE ARRIVE EARLY TO ENSURE SEATING. SEATS CANNOT BE GUARANTEED, NOR REFUNDS MADE IF YOU ARRIVE AFTER 7:45 P.M. ALLOW FOR PARKING. (instructions below).

Parking is not free. There are several parking structures near the theater. $9 parking is available right next door to the theater on the north side. However, $5 parking is available at the Los Angeles Times parking structure at 213 South Spring Street.

Spend the weekend with Mark Cuban, Ted Turner, Laura Ziskin, Ridley Scott, Gale Anne Hurd, Bruce Cohen, Brian Grazer and over 100 of the industry’s greatest producers in film, tv and new media.

There will be extraordinary panels, one on one mentoring roundtables, workshops, exhibits and incomparable networking opportunities. Go HERE for a complete listing of speakers and sessions.

When: June 4-6, 2010
Where: 20th Century Fox
Price: SAG industry discount ($595)
Tickets available but going fast, so register now (code: SAG2010) at producedbyconference.com

On June 6, 2010 Actor, writer, and film director Steve Buscemi will talk with Emmy Award-winning journalist and Co-Host of WNYC Radio and PRI’s The Takeaway, John Hockenberry, about creating unforgettable characters that ultimately drive a film’s narrative and impact. The afternoon will feature film clips from the actor’s career as well as brunch at an award-winning Brooklyn eatery.

It is our pleasure to extend an advance invitation to SAG and SAGIndie members. The event will be publicly announced this Friday May 14th, so please take advantage of this opportunity to secure seats to this intimate event.

Actor as Auteur Brunch To Benefit ISSUE Project Room
Presented in Collaboration With SAGIndie
Sunday, June 6, 12pm – 2pm
$125 Per Person ($95 tax-deductible, three-course brunch is included.)

SEATING IS LIMITED. BUY TICKETS
For more information please call 718-330-0313.

There are numerous iconic characters in film history, from The Little Tramp to Charles Foster Kane to Colonel Kurtz to Travis Bickle, all of them well drawn and directed. However, had Chaplin, Welles, Brando or DeNiro not played these roles would the film had the same powerful impact on our culture? Can a case be made for actor as auteur?

It is difficult to imagine Buscemi’s roles and their indelible effect on each film without his personal, stylized approach in bringing them to life. They emit essential energies striking a balance between deeply held neuroses and outward bombast. From lead roles in films like Fargo, Resevoir Dogs, Living in Oblivion, Trees Lounge, and Ghost World to supporting roles and cameos in films such as The Big Lebowski, and Barton Fink, his presence breathes life into every corner of a film. “Buscemi is a quiet tyrant of artistic fury who threatens to overrun every frame he’s in with the inner desperation he projects even in his most subtle performances,” says Hockenberry.

SAGIndie is a gentle and loving union between the hard working thespians of the world and the passionate filmmakers who buck the system. Since its formation in 1997, SAGIndie has been traveling to film festivals, trade shows and conventions spreading the word: Just because your film isn’t produced by a studio doesn’t mean you can’t use professional talent. www.SAGIndie.org

ISSUE Project Room, a registered 501(c)(3) organization, was established in 2003 by visionary artist Suzanne Fiol, and is a vibrant nexus for cutting-edge, multi-disciplinary arts in Brooklyn. ISSUE supports emerging and established experimental artists through more than 200 programs each year including music concerts, literary readings, films, videos, dance, visual and sound art, new media, critical theory lectures and discussions, site-specific work, commissions, educational workshops, master classes, and genre-defying interdisciplinary performances that challenge and expand conventional practices in art.  Support for ISSUE has been provided by CHORA, a project of the Metabolic Studio, a direct charitable activity of the Annenberg Foundation led by Artist and Foundation Director Lauren Bon. CHORA aims to support the intangibles that precede creativity. www.ISSUEProjectRoom.org 

Tribeca Films is having a NY theatrical run of all of their titles May 5th–18th at Tribeca Cinemas. As a member, you can purchase tickets at a 20% discount by using the code below.

Tickets can be purchased HERE.

Hi friends!

Independent Film Week is the oldest and largest forum in the U.S. for the discovery of new projects in development and new voices on the independent film scene. The Project Forum is a meetings-driven forum connecting filmmakers who have new narrative and documentary projects with key industry executives interested in identifying projects with which to become involved at the financing or distribution stage.

It is qualitatively and quantitatively the best opportunity for an independent filmmaker to connect with industry professionals – including producers, funders, distributors, broadcasters, sales agents and festival programmers. The Project Forum also furthers filmmaker and industry interaction with opportunities for networking at social events throughout the week.

Now accepting applications for all three sections: Emerging Narrative (for writers and writer/directors seeking producers and agents to develop, produce, represent and finance their scripts), No Borders (for U.S. and international producers with partial financing on new narrative projects seeking additional partners), Spotlight on Documentaries (for U.S. filmmakers with projects in production or post-production seeking financing partners, broadcast/distribution opportunities, and festival invitations.)

Deadlines vary by section – from April 23 (for Emerging Narrative) to May 21 (for No Borders and Spotlight on Documentaries). For deadline schedule, criteria for all sections, and online applications, go HERE.

If you live in Chicago and either love or hate Todd Solondz’s work, there’s an event happening tomorrow (Thursday, April 15) that you don’t want to miss.

Thanks to the news tip from our friends at Cinematical (via THR’s Risky Business), Spengler himself, Mr. Harold Ramis, will be debating Fred Miller, M.D., Ph.D on Solondz’s 1998 film, HAPPINESS, during Columbia College’s Cinema Slapdown. The series is described as “A wildly entertaining crossbreed of film discussion and knockdown, drag out debate.”

For more info on the event, go here.

–says John August as he moderates part 3 of the FIND Directors Series, a series of discussions between filmmakers, sound editors, actors, producers and more, hosted by Film Independent. I attended two of these events over the last few weeks. Each session had a focus; the first one’s topic was “working with actors” and the second focused on “sound in filmmaking.”

Panel One had crew members from The Blind Side, including Director John Lee Hancock and actress Kim Dickens, along with 2004’s the Alamo actor Jason Patric. What I remember most about that panel is Hancock’s admission that any good director isn’t afraid to say he doesn’t know the answer to a problem. He, Dickens and Hancock discussed problem days when certain scenes just wouldn’t work and how they problem-solved their issues. He suggested time, if you have it, to stop and go back to a particular scene. He also suggested opening a dialogue with the actor instead of trying to diagnose an issue and pick out problems when you don’t really know why something isn’t working. Basically, he believes that honesty can be the best policy when trying to get the right performances from actors.

The second panel I went to had Jeffrey Friedman, one of the two directors of HOWL, a Sundance 2010 film festival opener, and Lora Hirschberg from Skywalker Sound who was the sound editor for the film. Focusing on sound was refreshing since it seems to be one of the lesser discussed topics in filmmaking. One point that I wholeheartedly agreed with was stated by Hirschberg. She said that you should always try to get the cleanest takes while you’re on set. If sound tells you they need one more, you should get one more. The extra five minutes will pay off in the end when you aren’t stuck in a black box with your actors trying to record ADR and recapture that amazing moment that you saw materialize on set, five months later.

But my favorite quote was spoken by moderator John August, whose screenwriting credits include Go and Big Fish. It is also the title of this blog. He reminded me that making a film is a huge feat, but also, that having multiple project ideas in different genres is a good thing. Keep your options open and don’t be afraid to try a genre that you normally wouldn’t. The point is simple: get your work out there and get something made.

You can watch the videos by clicking here or by visiting Film Independent’s website.

Over the weekend I stumbled upon this amazing interactive map that the NY Times put together. It gives you an idea of the Netflix rental patterns for 100 frequently-rented titles in 12 cities. Some of the 2009 findings are pretty interesting – considering that the top rented films can change drastically from one neighborhood to the next.

While big films like THE CURIOUS CASE OF BENJAMIN BUTTON and TWILIGHT top many zip codes, it’s very encouraging to see quite a few indie films sprinkled within the findings.

Check out the map HERE.

Happy Friday!

Just wanted to let you know that the SAG Foundation in New York has launched SF2 (SAG Foundation Short Film). SF2 is a new showcase where filmmakers can screen their shorts and inspire SAG members to create their own projects produced under a SAG contract.

For more details click HERE or contact the Foundation’s NY Program Director, Franz Reynold at
freynold@sagfoundation.org.

Best wishes,

SAGIndie

Happy Friday!

We stumbled upon this amazing post from our friends over at FILMMAKER IQ with all sorts of free forms for filmmaking. Everything from CREW DEAL MEMOS to CALL SHEETS to MUSIC LICENSES.

Bookmark it for sure.

588 FREE FILM CONTRACTS AND FORMS

All the best,

SAGIndie